“The dreadnaught is king” they say. “The smaller guitar is for kids” I’ve been told. Apparently they – whoever “they” are – haven’t been keeping up with modern guitar trends…particularly parlor guitars.
In my experience, shopping a guitar store always presents an odd paradox: I’m completely relaxed walking in to hang out or try out the latest guitar model, but the moment I decide I’m going in to actually buy a new axe the place suddenly feels stifling and uncomfortable.
Guitarists are always on the lookout for ways to alter or distort their sound, and a very useful tool for the more aggressive styles of guitar playing is palm muting. As the name suggests, palm muting involves the use of the palm of your picking hand to dampen, or mute, the vibrations of the strings—on purpose!
In the 1950s a young teenage boy from Canada became enamored by the smooth licks of American guitarist Duane Eddy. He went to his local music shop and bought a cheap $18 guitar in an effort to learn Eddy’s style. Nobody knew at the time that this teenager, whose name was Jean Larrivée, would go on to become one of the most influential Canadian guitar makers, whose guitars would be valued at over 150x’s that of his first guitar.